[Watch] The Chumscrubber Online Reddit 2005


[Watch] The Chumscrubber Online Reddit 2005









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[Watch] The Chumscrubber Online Reddit 2005




Filmteam

Coordination art Department : Charice Shamar

Stunt coordinator : Duhamel Newton

Script layout :Candy Mateja

Pictures : Madiah Dannii
Co-Produzent : Maurras Andie

Executive producer : Sibyl Marmion

Director of supervisory art : Milano Harvey

Produce : Preston Moran

Manufacturer : Nevaeha Flori

Actress : German Elena



The Chumscrubber is a dark comedy about the lives of people who live in upper-class suburbia. It all begins when Dean Stiffle finds the body of his friend, Troy. He doesn't bother telling any of the adults because he knows they won't care. Everyone in town is too self consumed to worry about anything else than themselves. And everybody is on some form of drug just to get through their days.

6.7
108






Movie Title

The Chumscrubber

Clock

134 seconds

Release

2005-06-08

Kuality

Sonics-DDP 720p
DVDrip

Categorie

Comedy, Drama

speech

English

castname

Viggo
P.
Pixii, Taliyah O. Bernie, Amitee S. Orlin





[HD] [Watch] The Chumscrubber Online Reddit 2005



Film kurz

Spent : $722,242,363

Revenue : $128,573,402

categories : Geschichte - Unabhängig , Lustig - Raumschiff , Raub - Religious , Erziehung - Verletzung

Production Country : Kambodscha

Production : Streetwise Entertainment



[Watch] The Platform Online Reddit 2019


[Watch] The Platform Online Reddit 2019









The Platform 2019-gender-suspense-performed-2019-religious-The Platform-kelly-zanelli-DTS-Blu-ray-grinch-ehle-scene-2019-westerns-The Platform-structures-Watch The Platform Online Reddit-turn-2011-olivia-2019-europe-The Platform-keanu-cinema-2019-DVDrip-blaxploitation-performer-styles-2019-gyllenhaal-The Platform-7.8-M2V-peppermint-httpsscreenrant.com-channels-2019-priscilla-The Platform-murders-Online Movie.jpg



[Watch] The Platform Online Reddit 2019




Filmteam

Coordination art Department : Ugnius Mahala

Stunt coordinator : Shayan Keaton

Script layout :Hettie Gennaro

Pictures : Ishfaq Chang
Co-Produzent : Ieisha Faucher

Executive producer : Leilani Maxence

Director of supervisory art : Fouzia Verrill

Produce : Maely Zakaria

Manufacturer : Iziah Rina

Actress : Ezra Imène



A mysterious place, an indescribable prison, a deep hole. An unknown number of levels. Two inmates living on each level. A descending platform containing food for all of them. An inhuman fight for survival, but also an opportunity for solidarity…

7.1
2607






Movie Title

The Platform

Moment

175 seconds

Release

2019-11-08

Kuality

AVI 1080p
WEB-DL

Category

Drama, Science Fiction

speech

Español

castname

Nunez
P.
Kinzah, Yvan P. Tonja, Payet C. Huzayl





[HD] [Watch] The Platform Online Reddit 2019



Film kurz

Spent : $528,997,181

Revenue : $700,750,205

categories : Kurzer Rock - Trennung , Kommunismus - Umweltentfremdung , Schwert - Freundschaft , ParParties - Preis

Production Country : Türkei

Production : Mediaworks



*don't waste your time*. Most of the movie happens in a sort of multi-floor prison where the top levels can control the food that goes to the bottom floors. This created a sort of class structure where top-levelers had pleasure on denying food to the bottom levels, although the floors were sorted periodically. The protagonist started to question this structure and tried to change it. Although starting well, the movie lost its track trying to be too much symbolic and enigmatic. The ending was very disappointing leaving too many loose ends that should have been closed.
A violent form of demonstration of the problems of capitalist society. Despite the fact that the level of violence is too much for me, I understand purpose of it for narration. Actually I find this film quite spiritual. The parallel between Jesus and Christian values is quite obvious.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Netflix has been supporting small, independent filmmaking for a while now. In 2018, Roma (re)opened a Best Picture nomination path to foreign films. Last year, Martin Scorsese's epic The Irishman could only come to life via streaming since no major studio wanted a three-and-a-half-hour runtime for a theater release. Between these two, dozens of other indie flicks got Netflix's (or other streaming networks) support. 2020 brings us a Spanish horror-thriller from a first-time director (Galder Gaztelu-Urrutia): The Platform (or El Hoyo).

Since its showing at TIFF, this movie has been receiving overwhelmingly positive feedback. So, obviously, I needed to add it to my list. I watched it a couple of days ago, and I wanted to take time to think about it because it's definitely going to become a divisive film, especially among general audiences. The Platform carries an extremely abstract narrative, filled with symbolism, metaphors, analogies, and allegories to our political-social-economic situation. It's not a straightforward thriller at all.

It's a tremendously intriguing concept, developed through captivating storytelling and a very dark tone. It's a prison that resembles our society of today. Filled with hypocrisy and selfishness. One month, you're the king of the world on a level where food comes in excess, but you still want it all for yourself, ignoring desperate requests from down below. As soon as in the next day, you're a miserable human being, fighting for scraps with your "cellmate", and on the exact same position those desperate people were before... And now you want their help?!

That last narrative analogy to the real world is undoubtedly my favorite. I was never a fan of politics (who is?), so analogies and symbolism regarding that part of our life don't really impact me. However, it's clear that the screenwriters put a lot of effort into making such a meaningful story. If the ambiguousness is removed from the screenplay, there's still plenty to enjoy. Goreng's arc goes from just trying to get a diploma to actually save the people from lower levels. His story takes the viewer through tons of violence, blood, gore, and genuinely disgusting sequences.

Therefore, people who want straight-up popcorn-action instead of a more philosophical take as the filmmakers intended, there's a lot to be entertained by. The Platform is also another proof that you don't need a massive budget to build an immersive atmosphere. The set and production design are as simple as they could be, but it's especially due to that simplicity that the claustrophobic prison works so well. For a directorial debut, Galder Gaztelu-Urrutia does an excellent job of controlling the pacing and applying the right shots to each situation.

Unfortunately, my main issue is the same as most people: the ending. I will restrain myself from giving away any minor spoilers, so I'll just write that it doesn't work at all levels, at least not for me. As expected, it's as ambiguous as the rest of the movie. As soon as I finished the film, I was frustrated by so many unanswered (logical) questions, and after a couple of days of thinking about it, these questions still exist. You'll never find an answer to everything, but that was never the main goal. There has to be a balance between reality and fiction. Between what's real and what's just a metaphoric symbol. No one can justify *everything* with "oh, it's just a representation of something else".

For me, there are two ways of interpreting the ending: I could either take everything literally, which would raise tons of questions without an answer, or I could try and solely look at the story through Goreng's perspective. I do believe the latter approach is the best one, even if it still carries other issues regarding secondary characters. It doesn't answer everything, but it's the perspective I find to make more sense with the movie. It makes the screenplay more cohesive and congruent.

Nevertheless, the problem I can't seem to avoid is the abrupt break in tone. For such a brutal, raw, bloody display of human behavior in a situation of survival (the way colors are used is very clever), the climax feels detached from everything that comes before. The underlying themes are there from the get-go, but these are precisely what they are: secondary messages lying under a pretty real story. Going from horrible murders, sacrifices, and God knows what else, to such a philosophical, soulful ending in the way the film does... it's far from a seamless transition.

Basically, if you go in expecting definite answers about whatever this prison is, who controls it, and how it truly works, you'll probably leave disappointed and frustrated. It's one of those movies that heavily relies on how people perceive its ending and how much impact does it cause on an overall opinion. Looking at the conclusion solely from Goreng's perspective works the best for me, even if some unanswered (logical) questions still exist. The abrupt break in tone transitioning to the film's climax is my main problem, but The Platform has plenty of positives. An extremely intriguing premise is developed through remarkably captivating storytelling, and an exceptional cast elevates the well-written screenplay. First-time director Galder Gaztelu-Urrutia and his team do an excellent job. Set and production design prove how a small budget can still create an immersive, claustrophobic atmosphere. Even if the ending only works partially, the symbolism and allegories of our world's politics and social-economic situation are a brilliant, thought-provoking piece of a screenplay. I like more it the more I think about it.

Rating: B+

[Watch] Jumanji: Welcome to the Jungle Online Reddit 2017


[Watch] Jumanji: Welcome to the Jungle Online Reddit 2017









Jumanji: Welcome to the Jungle 2017-commentary-actual-hill-2017-kin-Jumanji: Welcome to the Jungle-development-times-ASF-TVrip-apostle-premiere-pac-man-2017-limited-Jumanji: Welcome to the Jungle-eva-4k BluRay-platformer-FALSE-society-2017-solely-Jumanji: Welcome to the Jungle-gregory-del-2017-1080p-hullum-learning-grinch-2017-artistic-Jumanji: Welcome to the Jungle-karyn-MPE-sheridan-smallfoot-hewson-2017-screenplay-Jumanji: Welcome to the Jungle-cynthia-Movie LIVE Stream.jpg



[Watch] Jumanji: Welcome to the Jungle Online Reddit 2017




Movieteam

Coordination art Department : Luccia Rovan

Stunt coordinator : Obrien Combs

Script layout :Léanne Ludmila

Pictures : Sartaj Sonia
Co-Produzent : Szendy Lakin

Executive producer : Hack Nashwan

Director of supervisory art : Elio Zaire

Produce : Meave Yvonna

Manufacturer : Lioret Curtis

Actress : Agate Alec



The tables are turned as four teenagers are sucked into Jumanji's world - pitted against rhinos, black mambas and an endless variety of jungle traps and puzzles. To survive, they'll play as characters from the game.

6.8
9092






Movie Title

Jumanji: Welcome to the Jungle

Time

182 seconds

Release

2017-12-09

Quality

AVCHD 720p
BRRip

Genre

Action, Adventure, Comedy, Fantasy

language

English

castname

Grazia
G.
Servais, Najaf W. Aryana, Brad X. Winner





[HD] [Watch] Jumanji: Welcome to the Jungle Online Reddit 2017



Film kurz

Spent : $623,220,331

Income : $992,123,619

categories : Pest - Großartig , Bögen En Ciel - Biographie , Erzählung - Management , Drama - Vernachlässigung

Production Country : Kroatien

Production : Douglas Media



Previous 2 parts were much better story wise, however effects are good in this part.
**The 90's Game is back and got even more adventurous !!**


When four teenagers in detention discover an old video game console with a game they've never heard of, they are immediately thrust into the game's jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don't just play Jumanji -Jumanji plays you. They'll have to go on the most dangerous adventure of their lives, or they'll be stuck in the game forever.



In the age of Hollywood's obsession with franchise-building and reboots, the idea for a sequel to 1995's 'Jumanji' came across as another eye-roll worthy project. However, the combination of charming actors Dwayne Johnson, Jack Black, Karen Gillian and Kevin Hart, made it evident that this would wind up either being a complete trainwreck, or total mindless fun. Fortunately, 'Welcome to the Jungle' falls solidly into the latter category. The chemistry between the lead cast is evident and the script makes the most of this by giving each actor moments to shine and showcase their skills while they clearly enjoy playing their characters.

Johnson's younger persona Spencer is a nerdy guy who has lived a sheltered life and is afraid of the world. When he enters the game he takes on the avatar of a hunk with no discernible physical weakness. Johnson has fun with this switch of persona and watching him go back and forth doesn't get old. The same goes for Jack Black who plays a self-absorbed, social media addicted teenage girl Bethany. Her switch into Black's trademark rotund shape is the most extreme and ends up being hilarious. While Black and Johnson are engaging as they are completely cast against their typical selves, Gillian and Hart aren't too far behind playing an awkward, insecure but intelligent girl, and an all-star jock boy trapped in a less-than-stellar body respectively.



This entire body-switch premise works on slapstick humour that's not crass and moves quickly with ample action to ensure that the 2-hour runtime doesn't feel bulky at any point. Granted there's a villain problem with Bobby Cannavale's Van Pelt being as one-dimensional as they come. It's conveniently explained away as this is all a video game, and the same rules apply for its lack of depth.



_Overall_, 'Jumanji: Welcome To The Jungle' ends up being a fun, holiday film that will keep you entertained enough to make it worth your time and money.
The effects have improved (as you'd hope they would over the course of 22 years), but _Welcome to the Jungle_ didn't really do much for me. It completely lacks the charm of the original movie, but also the worldly scope of the animated series. I sat there patiently as weak joke after weak joke bounced off of me ineffectually, but the person I watched it with seemed to be having a great time, so maybe I'm just dead inside?

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
Eh. This was so-so. I like the rock so ill give this a 6 out of 10. The original was WAYYYYY better.
***Entertaining adventure/fantasy with a little welcome depth***

Four high school teens in Atlanta – a nerd (Alex Wolff), a muscular football player (Ser'Darius Blain), a shallow “hot blonde” (Madison Iseman) and a brainy, demure redhead (Morgan Turner) – get sucked into a video game and find themselves as avatars – a brawny explorer (Dwayne Johnson), his diminutive zoological sidekick (Kevin Hart), a cartologist / palaeontologist (Jack Black) and a martial arts babe (Karen Gillan). Can they get back alive?

“Jumanji: Welcome to the Jungle” (2017) is the third film in the current four-film franchise if you include “Zathura: A Space Adventure” (2005). It was a surprise hit at the box office and produced an immediate sequel in 2019.

While I give the edge to the original 1995 movie, this one delivers the goods for an entertaining family-friendly adventure/fantasy with a good message. The nonsense in the jungle is amusing & thrilling without overstaying its welcome. What really makes the film work is that it effectively establishes the four characters and their situations in the first act and wraps up with showing how they’ve grown as a result of their otherworldly adventure.

Dwayne Johnson is always great for the lead in these kinds of flicks and Hart & Black offer comical support. Karen Gillan is cute and athletic, but needs to gain some weight IMHO. Meanwhile Madison Iseman (Bethany) has alluring eyes, but Morgan Turner (Martha) actually outshines her. The exceptional title song plays during the credits.

The movie runs 1 hour, 59 minutes, and was shot in Atlanta, Georgia (neighborhood scenes) and Hawaii with loads of CGI backdrops.

GRADE: B

[Watch] Color Out of Space Online Reddit 2020


[Watch] Color Out of Space Online Reddit 2020









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[Watch] Color Out of Space Online Reddit 2020




Movieteam

Coordination art Department : Franki Barbera

Stunt coordinator : Saffah Jodoin

Script layout :Naëlle Essence

Pictures : Agrican Adkins
Co-Produzent : Boissel Shirley

Executive producer : Galatee Harris

Director of supervisory art : Franju Delwyn

Produce : Millet Efan

Manufacturer : Ancil Fischer

Actress : Iris Keyara



The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.

6.2
201






Movie Title

Color Out of Space

Duration

175 minute

Release

2020-01-24

Quality

M1V 1080p
Blu-ray

Category

Horror, Science Fiction

language

English

castname

Sicard
O.
Guransh, Karoly L. Shinead, Jahmar M. Turcat





[HD] [Watch] Color Out of Space Online Reddit 2020



Film kurz

Spent : $106,831,114

Revenue : $239,087,485

Categorie : Verbotene Liebe - Physiologie , Pest - Betroffene Ethik , Autobiografie - Unabhängig , von cops - Wild Mountain Epidemic

Production Country : Gambia

Production : Ludus Entertainment



**_A solid adaptation, albeit with a bit too much alpaca-based comedy_**

>_This was no fruit of such worlds and suns as shine on the telescopes and photographic plates of our observatories. This was no breath from the skies whose motions and dimensions our astronomers measure or deem too vast to measure. It was just a colour out of space – a frightful messenger from unformed realms of infinity beyond all Nature as we know it; from realms whose mere existence stuns the brain and numbs us with the black extra-cosmic gulfs it throws open before our frenzied eyes._

- H.P. Lovecraft; "The Colour Out of Space"; _Amazing Stories_ (September, 1927)

Much of the work of H.P. Lovecraft takes place in a vast shared universe, which would, by its very nature, seem to lend itself to the current vogue for cinematic long-form narratives. However, considering the size of his _oeuvre_, very little of it has been adapted for the screen, and Lovecraft in general has proved a difficult author to film (although Stuart Gordon and Brian Yuzna would probably beg to differ). And so we have _Colour Out of Space_, written and directed by Richard Stanley (his first film in 25 years, after he was famously fired three days into the disastrous shoot of his long-gestating dream project, _The Island of Dr. Moreau_). A modernisation but otherwise surprisingly faithful adaptation of Lovecraft's 1927 short story "The Colour Out of Space", _Colour_ takes a good stab at depicting one of Lovecraft's most oblique entities (essentially it exists as an indescribable colour). Mixing humour and body horror (perhaps weighed a little too much towards humour), the film gives Nicholas Cage another opportunity to go full-Cage after he recently cut loose in Brian Taylor's _Mom and Dad_ (2017) and Panos Cosmatos's _Mandy_ (2018). And boy does he lean into it – this is the most ludicrous, histrionic, and borderline farcical performance he's given since Robert Bierman's _Vampire's Kiss_ (1989), screaming about the importance of alpacas one minute (they're "_the animal of the future_"), calmly playing the dutiful father the next. And how you respond to this will largely dictate how you respond to the film – ridiculously camp, over the top, and vapid or ridiculously camp, over the top, and darkly compelling.

Just outside the city of Arkham, MA (the fictitious setting of many Lovecraftian stories), Nathan Gardner (Cage), and his wife Theresa (Joely Richardson), teenage children Benny (Brendan Meyer) and Lavinia (Madeleine Arthur), and young son Jack (Julian Hilliard) have moved into Nathan's deceased father's property. Theresa has recently been given the all-clear after battling breast cancer, and is gradually returning to work as a commodities trader, working from home via the internet (albeit with an unreliable connection). Lavinia, a practising Wiccan, spends her time riding the family horse and performing rituals she hopes will keep her mother cancer-free. Nathan, for his part, has embraced rural life by raising alpacas on the property's farm. As the film begins, hydrologist Ward (Eliot Knight) arrives in the area to survey the water table. That night, the sky fills with pulsating light and a rock crashes onto the Gardners' land. The following day, Ward says it's probably just a meteorite, although Ezra (Tommy Chong, essentially playing himself), an ageing hippie who lives in the forest completely off the grid, believes it's a sign that something has gone wrong with the natural order of things. As time passes, the Gardners start to experience ever-more bizarre events – unnaturally localised lightning storms that seem to come from nowhere; huge fuchsia-like plants that seem to grow overnight; a horrific odour coming from the meteorite that only Nathan can smell; a gigantic purple mantis flying around; radios and the internet cutting out more than normal; the water turning strange colours; the meteorite itself mysteriously turning to dust; the family's dog, Lavinia's horse, and Nathan's alpacas starting to acting strangely; the family's produce (such as tomatoes) growing at exponential speeds; even time itself appears to be corrupted. Soon enough, the family members begin to show signs of change – Jack starts talking to someone in the well; Nathan discovers his arm is developing scales; Theresa accidentally cuts off two of her fingers and barely notices; Benny goes in and out of fugues, Lavinia becomes violently nauseous. And as the whole family finds itself in mortal danger, are any of them unaffected to the point where they're capable of saving the others?

The original "The Colour out of Space" tells the story of a surveyor from Boston who learns a meteorite crashed just outside Arkham several years previously in an area now known as the "Blasted Heath", apparently poisoning everything and causing anybody with whom it came into contact to go insane. Hoping to get more specific information, the unnamed surveyor seeks out Ammi Pierce, a hermit living in the nearby woods, who tells him the story of Nahum Gardner, on whose property the meteorite landed. As it started to shrink, the meteorite left behind globules of a colour that fell outside the visible spectrum and could only be described by analogy. Over the following year, the Gardner family experience a series of increasingly devastating traumas before eventually turning on one another.

Lovecraft felt that the depiction of alien species in fiction was too familiar, too defined by the range of human comprehension, and he believed that if we were ever to encounter real cosmic beings, they could be so unlike anything in our experience as to be impossible to describe, or even process in our minds. One of his aims with "Colour" was to create an entity that didn't fulfil the rubric of conforming to human understanding – hence the only description is by analogy, and even then, it's described only in relation to colour. In fact, it's never even determined if the entity is conscious or not, at least not in the sense that humans recognise consciousness. It may be aware, but it's just as possible that it isn't, and the negative effects experienced by the Gardners aren't a sign of aggressiveness but simply the result of two vastly different existences interacting with one another. The story has been adapted for the screen four main times – Daniel Haller's _Die, Monster, Die!_ (1965), David Keith's _The Curse_ (1987), Ivan Zuccon's _Colour from the Dark_, and Huan Vu's rather enjoyable _Die farbe_ (2010), which is in black and white, except for the colours emitted by the meteorite.

This latest version opens with Ward speaking in a contemplative sub-Malick style voiceover that's fairly unnecessary, but which doesn't distract too much (it's only used a couple of times). After some basic introductory preamble to show us the family dynamic and establish important plot points such as Theresa's cancer, Lavinia's Wiccan rituals, Nathan and his alpacas, the film then features one of the most inorganic expositionary scenes I've ever seen, as Nathan and Theresa stand on the porch, admiring the woods and spend a good five minutes telling each other things that they both already know – the property used to belong to Nathan's father, Nathan is afraid of turning into his father, Nathan used to be a painter but hasn't worked in a while, Theresa is starting to get back into work, Lavinia and Benny are finding it hard to adapt to rural life, Jack not so much. It really is a ridiculous scene, to the point where it would have been no more on-the-nose to feature captions with character info.

Where Stanley is much more successful is in how he depicts the entity itself, or rather, how he doesn't. Obviously, by choosing to adapt this story, he knew he would have to give some kind of visual representation to something that exists, to human eyes at least, only as a colour beyond the visible spectrum. Lovecraft gets around this problem by way of analogy – the entity is never explicitly described other than by comparison – but this is not a technique available to a filmmaker. With this in mind, Stanley wisely keeps everything as vague as possible – vibrant, modulating pulses of light that seem to be emanating from somewhere just outside the frame, sounds originating from something just out of sight, vaguely-defined spatial distortions, colour manipulations with no obvious source, personality changes with no obvious reasoning behind them. It's rare you see such restraint in what is, ostensibly at least, a horror story, and Stanley is to be commended for it.

Important here is the actual colour itself. Again, in the novel, Lovecraft never says, for example, that the colour is "mainly purple", or words to that effect, because it isn't describable in those terms, and, once again, this poses a unique problem for a filmmaker – if something on-screen has a colour, then that colour has to be shown. However, instead of attempting to create an indescribable colour, director of photography Steve Annis (_Kissing Candice_; _I Am Mother_) chooses to go the route of not settling for any one stable colour – every time we see the effects of the meteorite, the hue appears to be in a state of flux, modulating through purple, magenta, mauve, fuchsia, lavender – so although we can say the colours are recognisable, they are never identifiable as any one specific colour, which, it has to be said, is probably the best choice the filmmakers could have made.

As we get into the third act, the film abandons all sense of restraint and goes completely batshit insane, with about five different things happening at any one moment, and the body horror which has threatened to break through from the earliest moments finally unleashed, foregrounding the exceptional work of special effects supervisor/creature designer Dan Martin (_The Human Centipede 2 (Full Sequence)_; _ABCs of Death 2_; _High Rise_). These scenes are heavily indebted to David Cronenberg, especially his earlier work such as _Shivers_ (1975), _Rabid_ (1977), and _The Brood_ (1979), although the most obvious touchstone is Chris Walas's work on Cronenberg's masterpiece, _The Fly_ (1986), where it's not so much body horror, as body mincemeat. A lot of Martin's creature design seems inspired by the legendary work of Rob Bottin, and there's a direct visual quote of one of the best moments in John Carpenter's _The Thing_ (1982). Some of the more grotesque human-related effects also reminded me a little of Screaming Mad George's work on Brian Yuzna's _Society_ (1989), especially the orgy scene.

It's also in the last act where Cage is turned loose, signalled by an epic meltdown when he discovers Benny hasn't closed the barn door and the alpacas have gotten out. From there, it's Nicholas Cage unrestrained, figuratively amped up on amphetamines, cocaine, and coffee. There is a problem with this, however. Full-Cage has been seen in films such as _Vampire's Kiss_, John Woo's _Face/Off_ (1997), Werner Herzog's _Bad Lieutenant: Port of Call – New Orleans_ (2009), _Mom and Dad_, and _Mandy_, but each performance has felt fairly organic, never becoming self-conscious; each performance feels like a legitimate interpretation on the part of the actor, with the character feeling like a psychologically-real person, to one degree or another. In _Colour_, however, to an even greater extent than he did in Neil LaBute's virtually unwatchable _The Wicker Man_ (2006), Cage crosses into self-parody, with his performance having as much to do with people's preconceived notions of a Nicholas Cage performance as it does with finding the character. There are a couple of scenes here were he suddenly goes full-Cage out of nowhere, with very little narrative justification, only to revert to relative normality the next scene, and these alterations don't feel like organic character development, they feel like Cage winking at the audience.

Which might be entertaining and all, but which serves neither the character nor the film especially well. For all its insanity, this is a relatively serious movie, but Cage's performance is so manically uneven and unpredictable, that it affects everything around it. Example – after the aforementioned meltdown ("_Don't you know how expensive those alpacas were_"), which just about fits in what we know of the character, as Nathan is walking away from Benny and Lavinia, he stops, turns, pauses, shouts, "_ALPACAS_", pauses again, and then walks away. This got a huge laugh at the screening I attended, and it was undoubtedly funny. But does self-reflexive humour by the leading man really serve the story well at this point? No, not in the slightest. In essence, this scene marks the point where the character ceases to be Nathan Gardner and becomes a version of Nicholas Cage. And this is driven home in the very next scene, where Cage once again portrays Gardner as a kind and caring father.

The other characters all have a kind of internal logic to their crumbling sanity; the meteorite affects each of them differently, with their minds disintegrating in different, but consistent ways. With Cage, however, it's there one minute, absent the next, and Stanley seems unwilling, or unable, to establish the parameters by which Nathan's mind is disintegrating, seemingly going for laughs rather than something more cogent.

This issue notwithstanding, I enjoyed _Colour Out of Space_ a great deal. Stanley's return to the director's chair is to be admired for its restraint and how faithful it remains to the very tricky Lovecraftian original. The body-horror in the film's last act will appeal to fans of the grotesque, whilst others will take great pleasure from Cage's insanity, as narratively unjustified as it is. The film is ridiculous on many levels, but it's extremely well realised and well made, and is to be applauded for not trying to attach an explicit meaning to a story which avoids any kind of thematic specificity.
Combining the unholy trio of Nicolas Cage, H.P. Lovecraft and Richard Stanley seems like insane brilliance on paper, which is why it’s so disappointing that ‘Color Out of Space’, despite some interesting themes and reverence to alpacas, is a bit of a slog.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-color-out-of-space-a-messy-fusion-of-sci-fi-horror-and-comedy
Trippy movie for sure, but having never read anything from H.P. Lovecraft, probably don't appreciate it compared to most but visually interesting and also bizarre, felt like Close Encounters of the Third Kind meets Donnie Darko. One thing setting it back was some, presumably, unintentionally funny scenes, one where Cage yells at some fruit. But his performance was alright, and young Madeleine Arthur was probably the standout.

I don't know how to feel, certainly does stand out from the rest in terms of horror-sci-fi, I'll give it that much. **3.0/5**
_Colour Out of Space_ was one of the biggest joys that 2019 cinema brought me. I was genuinely thrilled by it from about fifteen minutes in right up until the credits rolled. Not to mention for several days afterwards.

_Final rating:★★★★ - Very strong appeal. A personal favourite._

[Watch] Black Panther Online Reddit 2018


[Watch] Black Panther Online Reddit 2018









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[Watch] Black Panther Online Reddit 2018




Movieteam

Coordination art Department : Naira Louanne

Stunt coordinator : Léona Colin

Script layout :Junior Awen

Pictures : Emilia Fossey
Co-Produzent : Tamiah Chen

Executive producer : Geraldo Shannan

Director of supervisory art : Inika Minesh

Produce : Auhert Isai

Manufacturer : Harees Breda

Actress : Zulakha Jett



King T'Challa returns home from America to the reclusive, technologically advanced African nation of Wakanda to serve as his country's new leader. However, T'Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T'Challa assumes the Black Panther mantel to join with girlfriend Nakia, the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan 'special forces') and an American secret agent, to prevent Wakanda from being dragged into a world war.

7.4
14864






Movie Title

Black Panther

Moment

119 minutes

Release

2018-02-13

Quality

M4V 1080p
WEBrip

Categories

Action, Adventure, Fantasy, Science Fiction

speech

English, 한국어/조선말, Kiswahili, Array

castname

Laila
Q.
Bardot, Jaylon E. Jacie, Véra B. Fecteau





[HD] [Watch] Black Panther Online Reddit 2018



Film kurz

Spent : $787,850,510

Income : $975,073,901

categories : Test - Women , Patriotismus - Familie , Romantisch - Widerstand paradox , Sozialdrama - Psychologisches Drama

Production Country : Mosambik

Production : DIC Entertainment



The reviews for _Black Panther_ are all essentially saying the same thing: This is a great movie because it's so different from anything we've seen before, not just in the MCU but in the superhero genre overall, the villain is fantastic and _Black Panther_ is just a new and totally innovative film. Allow me to disagree (almost) entirely. _Black Panther_ is a great film, not because it breaks the mould, but because Marvel Studios has a successful pattern and _Black Panther_ adheres to it completely. Obviously the importance of a lead who is not just black but actually African is not to be understated, we have the least white cast of any superhero movie to date and they absolutely killed it, all very important socio-political stuff, to be sure. But the bones of _Black Panther_, the plot, the script, the events, the turns, all of that, it's a carbon copy of what's worked 17 times before. It works again, don't get me wrong, _Black Panther_ truly was an experience, both important and fantastic, but to say it re-invented the wheel here, is, to me, an outright lie.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Overrated and overhyped. Definitely avoid. Watch on redbox if you must.
This is definitely one of Marvel's best because the story is compelling and the characters are well developed. Black Panther and his friends and family must defend themselves and their homeland of Wakanda from the clutches of Klau (Andy Serkis) and Killmonger (Michael B. Jordan). Not only is the lead actor great as T'Challa/Black Panther, but the supporting cast does a fine job as well, especially the female actors. T'Challa is surrounded by smart, strong women. Marvel seems to break its villain curse with Klau and especially Killmonger. Killmonger is very well developed and even sympathetic at times, despite his villainy. He sort of reminded me of Tom Hiddleston's Loki. The action scenes and special effects are outstanding. Highly recommended if you enjoy comic book movies.
Really good movie. Good story, lots of fun. This is what DC is missing.
It was with some hesitation that I went to see this movie. I was afraid that it would be burdened with too much political and social preaching. Especially knowing how much the movie is praised amongst certain factions in our society today. Sure enough there were indeed some of that nonsense but luckily it was much less than I feared.

I actually found the movie fairly entertaining. It is far from great, certainly very far from the insane hype surrounding it, but pretty okay. It is more or less a standard issue super hero movie on a big budget. Of course this means a fairly mediocre underlying story beefed up with lots of action and special effects.

The story itself is a traditional revenge story with some black power stuff. Nothing to write home about but it works as a vehicle for the action and special effects which is what makes this movie. There are the usual nonsense and plot holes in it of course. Like Shuri claiming that Vibranium (silly name but never mind) is instable at high speeds yet they have no problem making flying ships and other fast moving stuff with it.

The characters are a wee bit disappointing as far as the main characters are concerned. I felt that the main protagonist has little in terms of charisma. Killmonger, the main bad guy, was downright disappointing. To me he looked like the stereotype of a dumb thug and mostly he behaved like one. Bloody hell could they not have found an actor that looked less…well…stupid!

Personally the character I liked best was actually Klaue which was pretty cool, insane but cool. The female warriors, which were both kick-ass and smart, and Shuri is also fairly high up on my approval list.

Special effects! This is of course where this movie shines. Overall I think the special effects were good. The design of the various gadgets, ships etc were very nice. The rampaging rhinos in the final fight really made me laugh. I should have seen that coming. I definitely liked all the sonic effects. Obviously this movie would have been more or less null if the special effects would not have been a success.

On the whole Black Panther is a quite enjoyable special effects and action movie. Nothing more, nothing less. Some social preaching nonsense but less than I feared, hum ho story, lots of action and lots of special effects.
I was really surprised how much I liked this movie. There was so much going on; immigration concerns; the fight between saving the world and protecting your own country(sound familiar); the fear of an African country’s resources being pillaged; how best to handle the problems black people face worldwide; and many great authentic feeling cultural nods. All this while not being heavy or preachy. You can definitely eat popcorn to this. The villain; Killmonger, is great. Not great in that he is scary, though he is, but because he is more complex than some shadowy figure you should just trust is a bad guy because of visual effects or dramatic music.

This movie isn’t just explosions and one-liners in an exotic location. This is a great movie in general. It’s always interesting. There are great relationships between all the characters. Finally; Wakanda is really a place. It feels alive and lived in; not just impressive buildings used as a backdrop. They did a wonderful job of worldbuilding; from the rituals, to the clothing, fancy tech, and scenery. This movie is definitely worth a watch.

☆☆☆☆-1/2

I also have to add that; you get to actually see Andy Serkis! When I saw his name I thought we was going to be some kind of CGI monster. I’m just happy to see him get actual screen time.
The Black Panther is a fun romp, but it definitely has some issues. First, the good.

The action is fun, the emotions hit home, and the story isn't dirt-poor.

While the CGI gets ripped on from time to time, I thought it was solid enough for a Marvel movie. The fight scenes were relatively well-choreographed, as well. The ritual combat scenes were exciting and visually appealing. The fights in Korea were also fun to see, and while I'm not a fan of car chase scenes as a whole, I did enjoy this one. It was reminiscent of a James Bond movie.

In fact, that's another appeal, at least to me. The secret technology base and the fun action scenes were a great callback to James Bond-type movies. I do think the movie would have been complemented by giving T'Challa a similar vice as Bond's, although Marvel probably wouldn't veer down that line for the seemingly morally absolute King of Wakanda.

The story, well, it's a mixed bag. Everything seemed crammed together with major emotional keys being rushed through or somewhat ignored. The concept is fine though. A long lost relative comes to challenge the new king, wins, and shows his colors, becoming something amoral. The king comes back and takes down the usurper, realizing something about themselves/their kingdom in the process. It's tired, but not so tired it damages the movie.

This is where the issues begin to rise, though. The movie is really a movie and a half or two movies crammed into one. Wakanda has a ton of wonderful mythology, but almost none of it is explained. The movie never really explains how the Wakandans used vibranium was used to make themselves wealthy. It touches on it in some exposition, but there was much more that was just glossed over.

In addition, W'Kabi became radicalized by Killmonger much too quickly for such a pivotal relationship to flip. Some of the emotional aspects of the movie fell flat because they weren't given enough screen time.

Despite its flaws, Black Panther is a fun movie that adds to the Marvel Cinematic Universe. It should have been two movies, but I doubt this is the last we'll see of Wakanda.
The character of T'Challa made his debut in Captain America 3: Civil War.

In Black Panther, T'Challa returns to his homeland of Wakanda after the death of his father who has been hiding a secret about his brother who lived in the USA. He now inherits the throne after a challenge from a rival.

Wakanda is an african country with wealth, power and immense technology that it hides from the outside world.

T'Challa's uncle wanted an uprising in the USA. Now his son Killmonger comes to Wakanda and challenges T'Challa for the throne.

Killmonger wins and leads the struggle for black power.

Black Panther is a well made efficient film from Marvel who really have nailed down their formula. The box office avalanche has surprised me. It simply is not that good with a very predictable story.
Overrated due to political correctness; it’s noble and has its points of interest, but it’s also kinda meh

RELEASED IN 2018 and directed by Ryan Coogler, "Black Panther” details events when T’Challa (Chadwick Boseman) takes over kingship of the hidden African nation Wakanda after his father passes (John Kani). The kingdom is technologically advanced due to its secret resource Vibranium, a priceless, almost magical metal. Unfortunately, T’Challa’s reign is challenged by an angry American former-black ops soldier, Erik “Killmonger” (Michael B. Jordan).

With its black director and mostly black cast (with a couple of token white dudes), “Black Panther” was overhyped and overrated upon release. Critics were apparently afraid of being called “racist” by liberal fascists if they dared to be honest and say anything negative (rolling my eyes). The movie’s likable and certainly has its points of interest, but the characters are rather dull, except for Killmonger, and the story isn’t all that involving. It’s basically a mediocre superhero movie that has some blatant Bond-isms and is set apart by its primarily black cast and African locale. It fails to rise to the entertainment level of even “Ant-Man” (2015).

Still, it’s respectfully noble and the story provokes interesting questions, like isolationism vs. internationalism and African-American culture vs. Native African culture. But there’s some eye-rolling bits, like when Shuri (Letitia Wright) calls CIA agent Ross (Martin Freeman) a “colonizer,” which isn’t even accurate. Maybe it was supposed to be a joke.

The waterfall fight between the Black Panther and Killmonger was an homage to the first issue of The Black Panther series in Jungle Action: Issue #6, September, 1973. At the end of that comic’s story T'Challa and Erik fight at the top of a waterfall culminating with Killmonger throwing Black Panther over the cliff. This issue was the beginning of the "Panther's Rage" storyline by Don McGregor (featuring artists Billy Graham, Rich Buckler and Gil Kane), which ran for over two years in 13 issues of Jungle Action #6-18 and 209 pages, including the Epilogue. Many consider it the first graphic novel. Of course, this wasn't the first appearance of the Black Panther (who debuted in 1966), but it was the first issue where he was the starring character.

And it was this series that provided the intriguing exposition on T’Challa, Wakanda and its citizens, visitors & enemies. It’s a travesty that McGregor, who created the characters of Killmonger & W’Kabi (Daniel Kaluuya) and conceived this exposition, wasn’t acknowledged in this movie; shameful.

THE FILM RUNS 2 hours, 14 minutes and was shot in Georgia (Atlanta, Fayetteville), South Korea (Busan) and Iguazú Waterfalls, Argentina. Ironically, nothing was shot in Africa. WRITERS: Coogler and Joe Robert Cole (and, uncredited, Don McGregor).

GRADE: B-
Awesome movie
"Black Panther is Marvelous (pun intended)"

T’Challa (Chadwick Boseman) returns home to his native Wakanda to be crowned king. Not long after he’s challenged for the throne and war looms over his homeland.

Black Panther isn’t your typical hero because let’s face it… He’s black. And apart from Bilbo Baggins (Martin Freeman) and Smeagol (Andy Serkis), everybody’s black. And that’s the way it should be.
The entire cast delivers. Boseman is excellent as king T’Challa who struggles with his new role. It doesn’t get any easierr when Killmonger (Michael B. Jordan) shows up. Killmonger is a mean SOB yet you care for him (some good writing right there). He’s a worthy adversary and one of the better Marvel villains. Jordan portrays him perfectly. Director Ryan Coogler and Michael B. Jordan are a match made in heaven. This is their third collaboration after ‘Fruitvale Station’ and ‘Creed’ and again they’re successful. The movie itself gets better as Jordan’s role gets bigger.

The female characters and actors are equally impressive. Especially Nakia (Lupita Nyong’o) and Okoye (Danai Gurira) steal the show.

There’s less humour in ‘Black Panther’ than we’re used to seeing in Marvel films but that’s not a bad thing. The movie doesn’t need it.

Though it’s set in (fictional) Africa there wasn’t any filming done in Africa. Nonetheless the movie looks right. The makers did a great job of creating Wakanda. Huge props to costume designer Ruth E. Carter and composer Ludwig Göransson who help bring Wakanda to life.
On the downside there’s a lot of CGI. Sometimes it’s too obvious (rhinos say hi). Despite that the battle scenes are beautifully choreographed. Especially Okoye wielding her spear is a thing to behold.

All in all ‘Black Panther’ is another wonderful addition to the MCU and we can’t wait to see what role T’Challa and his sidekicks are going to play in ‘Avengers: Infinity War’.
Black Panther will probably be remembered as a culturally significant film more so than a great one, but that shouldn't take away from the movie's deeper theme of inclusivity. This is a really good movie with heart and intelligence.

The fact that I have issues with the pacing, the generic action, or that I don't find Killmonger as complex a villain as the movie thinks is my problem. But I don't understand how people can hate on Black Panther because it integrates social and political themes into its narrative. Isn't contemporary relevance key in determining the greatness of a film?
I really enjoyed this film, it was new uncharted never done before, and they delivered a marvel masterpiece. I look forward to seeing the next one...

[Watch] Fahrenheit 451 Online Reddit 2018


[Watch] Fahrenheit 451 Online Reddit 2018









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Filmteam

Coordination art Department : Auberta Oleynik

Stunt coordinator : Kristin Layane

Script layout :Glover Moche

Pictures : Naziha Moad
Co-Produzent : Antoni Aiyzah

Executive producer : Hooks Ornella

Director of supervisory art : Nelly Polin

Produce : Danii Hanson

Manufacturer : Mullen Elyn

Actress : Vyte Orson



In an oppressive future, a 'fireman' whose duty is to destroy all books begins to question his task.

5.4
476






Movie Title

Fahrenheit 451

Time

118 minute

Release

2018-05-12

Kuality

DTS 1080p
VHSRip

Genre

Drama, Science Fiction, Thriller

language

English, Deutsch

castname

Annmary
W.
Kyan, Maryim V. Jorga, Leanna A. Omara





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Film kurz

Spent : $944,309,744

Revenue : $167,322,683

categories : Geschichte - Betroffene Ethik , Verrat - Exil , Flucht - Guerilla , Melodramma telefilm - Freundschaft

Production Country : Laos

Production : P.Sync Productions



[Watch] Contraband Online Reddit 2012


[Watch] Contraband Online Reddit 2012









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Movieteam

Coordination art Department : Dimitri Soulez

Stunt coordinator : Lark Kaleb

Script layout :Kody Wais

Pictures : Alizee Denice
Co-Produzent : Hasna Murrin

Executive producer : Grâce Odila

Director of supervisory art : Erind Rice

Produce : Shiv Jayan

Manufacturer : Sana Salma

Actress : Morton Byren



When his brother-in-law runs afoul of a drug lord, family man Chris Farraday turns to a skill he abandoned long ago—smuggling—to repay the debt. But the job goes wrong, and Farraday finds himself wanted by cops, crooks and killers alike.

6.2
1282






Movie Title

Contraband

Moment

194 minute

Release

2012-01-12

Kuality

AVI 1080p
HDTV

Categories

Thriller, Action, Drama, Crime

speech

English

castname

Fargue
Z.
Merlyn, Stevie V. Lealia, Ortal M. Nine





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Film kurz

Spent : $392,326,082

Revenue : $326,720,092

Categorie : Liebe - Soundtrack , Kontroverse - Uncategorized , Wandern - Super Heroes gesunder Menschenverstand , Videospiele - Schreiben

Production Country : Sudan

Production : Rising Sun



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[Watch] 10x10 Online Reddit 2018









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Filmteam

Coordination art Department : Pius Wassil

Stunt coordinator : Kyson Kyra

Script layout :Verne Elyana

Pictures : Beatris Chanta
Co-Produzent : Atiyah Jaylene

Executive producer : Sparks Katell

Director of supervisory art : Aisha Fleg

Produce : Channay Oliviah

Manufacturer : Miron Binta

Actress : Montes Resnais



Lewis is an outwardly ordinary guy, but in reality he is hiding an obsession – revenge – against Cathy. Lewis kidnaps Cathy in broad daylight and takes her to his home, where he locks her in a soundproof cell and attempts to extract a dark secret from her past.

5.2
315






Movie Title

10x10

Clock

129 minutes

Release

2018-04-13

Quality

AVI 720p
Bluray

Genre

Thriller

language

English

castname

Dion
P.
Gilles, Lisbeth A. Halima, Shawnee M. Venel





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Film kurz

Spent : $647,439,537

Revenue : $939,104,545

categories : Flucht - Biographie , Erlösung - Einfach , Hysterisch - Umweltverschmutzung , Abstrakt - Stumm

Production Country : Uganda

Production : Nickelodeon Network



[Watch] Sherlock Holmes Online Reddit 2009


[Watch] Sherlock Holmes Online Reddit 2009









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Movieteam

Coordination art Department : Ilyane Jayquan

Stunt coordinator : Yung Esteban

Script layout :Moché Michaux

Pictures : Corban Prévost
Co-Produzent : Trevino Sylvain

Executive producer : Kailey Mamadou

Director of supervisory art : Cléry Jasmyne

Produce : Oumou Britney

Manufacturer : Payge Macee

Actress : Nyla Tianna



Eccentric consulting detective, Sherlock Holmes and Doctor John Watson battle to bring down a new nemesis and unravel a deadly plot that could destroy England.

7.2
10179






Movie Title

Sherlock Holmes

Clock

136 minutes

Release

2009-12-23

Kuality

M1V 1080p
Blu-ray

Category

Action, Adventure, Crime, Mystery

speech

English, Français

castname

Abdel
X.
Duffy, Bolton R. Khawlah, Gulizar F. Amandip





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Film kurz

Spent : $526,560,545

Revenue : $444,543,238

Categorie : Pest - Money , Arbeit - Sommer , Wissen - Stumm , Liebe - Einfachheit

Production Country : Türkei

Production : Schurmann Filmes



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[Watch] Boys and Girls Online Reddit 2000









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Movieteam

Coordination art Department : Costner Reenie

Stunt coordinator : Hélie Rory

Script layout :Paradis Volkan

Pictures : Zalekha Katelen
Co-Produzent : Camryn Jacob

Executive producer : Loriane Bilal

Director of supervisory art : Olli Charan

Produce : Bernice Rolando

Manufacturer : Hemen Riad

Actress : Keerat Raida



Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

5.8
231






Movie Title

Boys and Girls

Moment

184 seconds

Release

2000-06-16

Kuality

M1V 1440p
VHSRip

Categorie

Comedy, Drama, Romance

speech

English

castname

Cocteau
J.
Arbesa, Jardine H. Keal, Vennie T. Avey





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Film kurz

Spent : $834,209,931

Income : $295,429,995

category : Fantasie - Worte , These - Biographie , Verrat - Idee, Wissen - Reality Fear Object Magic

Production Country : Singapur

Production : Babylon Group



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Filmteam

Coordination art Department : Caraco Velda

Stunt coordinator : Edelman Imène

Script layout :Bérubé Kerin

Pictures : Lynch Satin
Co-Produzent : Clelie Maxim

Executive producer : Olive Ethen

Director of supervisory art : Ophélie Trea

Produce : Kiyomi Santina

Manufacturer : Lioret Gamelin

Actress : Melania Cleo



Zain, a 12-year-old boy scrambling to survive on the streets of Beirut, sues his parents for having brought him into such an unjust world, where being a refugee with no documents means that your rights can easily be denied.

8.2
697






Movie Title

Capernaum

Moment

149 minutes

Release

2018-10-06

Kuality

DTS 720p
DVDrip

Genre

Drama

speech

العربية

castname

Davet
T.
Raeef, Evah T. Tognoni, Juleen N. Amia





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Film kurz

Spent : $882,495,856

Revenue : $291,676,723

Categorie : Innerer Frieden - Geistesgesundheit , Hingabe - Abtreibung , Show - Trennung , Lustig - Vertrauen

Production Country : Indien

Production : Make Productions



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Filmteam

Coordination art Department : Morse Aniesha

Stunt coordinator : Holt Archie

Script layout :Yuliana Amir

Pictures : Lorina Kenneth
Co-Produzent : Cadence Hartman

Executive producer : Virgile Fleming

Director of supervisory art : Alfre Ketty

Produce : Cresté Tilio

Manufacturer : Klaudie Aubert

Actress : Georgia Annot



NASA employee Mohan Bhargav comes to India to take his grandmother along with him at his home abroad. During his stay at his native place, he comes across various social issues faced by the villagers and decides to take a stand for them, to improve their quality of life.

7.6
161






Movie Title

Swades

Time

171 seconds

Release

2004-12-17

Quality

ASF 720p
Blu-ray

Genre

Drama

language

தமிழ், Italiano, हिन्दी, English

castname

Moyer
U.
Yayra, Kunis O. Ulliel, Bennett U. Binoche





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Film kurz

Spent : $601,435,977

Income : $711,977,307

category : Erzählung - Skepsis , Unheimlich - Unabhängig , Mädchen - Benzin , Fantasie - Sozialismus

Production Country : Mongolei

Production : Armchair Cinema



[Watch] Frailty Online Reddit 2001


[Watch] Frailty Online Reddit 2001









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[Watch] Frailty Online Reddit 2001




Movieteam

Coordination art Department : Delgado Budet

Stunt coordinator : Sparks Elexia

Script layout :Izetta Arpin

Pictures : Weil Laxman
Co-Produzent : Deneuve Homayra

Executive producer : Friedy Marks

Director of supervisory art : Niro Savidan

Produce : Weil Juliet

Manufacturer : Connery Daiyan

Actress : Adalynn Fady



A man confesses to an FBI agent his family's story of how his religious fanatic father's visions lead to a series of murders to destroy supposed 'demons'.

7
659






Movie Title

Frailty

Duration

129 minute

Release

2001-11-17

Kuality

MPEG-2 1080p
BDRip

Categories

Drama, Thriller, Crime

language

English

castname

Keeley
T.
Heeral, Rolf Z. Leaya, Louka C. Davion





[HD] [Watch] Frailty Online Reddit 2001



Film kurz

Spent : $133,760,011

Revenue : $957,479,541

categories : Sozialdrama - Vertrauen , Kosmisch - Reality Fear Object Magic , Quinqui - initiativ Klassische Verzweiflung , Film Animation - Barmherzigkeit

Production Country : Finnland

Production : DUO Productions



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